Tuesday, 8 September 2015

JC week 6 : Start of final project construction and experimentation

NB: journal entry for the Jewellery and Small object module at South bank Griffith university (QCA) to view the full journal click here

NB : The following is for  Jewellery and Small object module at South bank Griffith university ( QCA ) final project. The first portion of the week 6 class was spent presenting the maquette and the exploration of my ideas.
The following are images of progress for the final artwork based on the maquette. Note that pieces were marked out onto metal with allowance for texturing ( the metal will stretch/sequese out of shape after being textured/pressed)



marking out of the two center pieces for the cross guard onto an A4 piece of brass. I transfered the image onto the metal using carbon paper and a stylus. The two pieces were cut from the A4 sheet using the cutting machine and annealed in preperation for texturing and recutting. 

marking out of the "wings" of the cross guard, this is then cutout and the intention is to engrave the details of the feathers
I have learnt that if the oil from your fingers gets onto the aluminium the carbon paper has difficulty bonding to the surface, a wipe down with a nappy wipe is required to get a consistant transfer.

the remainder of the A4 sheet of brass was cut out into three 11x7 cm  and two 1x11cm  strips. The larger strips will form the panels of the handle and the thinner strips will overlap to the joins of the panels 

all of the brass panels and strips were annealed at the same time, thankfully I had the station available to myself for this process

citric acid bath to remove flux from brass panels

personal note: remember to place the image to be embossed face down towards the press plate. To register the image I had intended to wet the paper, after talking with the lecturer I discovered that this may damage the rollers. I tested a small portion of masking tape for registration which worked well ( keeping in mind that i will have a metal strip over the join/tape in the final project so I do not need to worry ahout the mark left by it) 

silhouette cutout from snowden paper

The cutout provided a deep relief onto the surfrace, the paper leaving quite a lovely patternisation into the metal

Monday, 7 September 2015

JC week 5: material costs, technique exploration, anodizing aluminium

NB: journal entry for the Jewellery and Small object module at South bank Griffith university (QCA) to view the full journal click here


This entry contains:
Metal costs
Anodizing research
metal embosing experiments


Metal costs for final project


The following prices are for A4 metal sheets from the QCA stores

Aluminium                                        $5
Brass                                                 $22
Copper                                              ??
Titanium                                           $36

NB: the QCA studio does not have equipment for aluminum soldering or welding, riventing of materials will be required, aluminum can be anodized (colored ) look further down this post for details.
Titanium cannot be welded or soldered and will need riveting but can be colored to a range of tones ie grey, yellow, green, purple.


I have purchased 2x A4 sheets of aluminium and 1x A4 sheet of Brass for this project. The intention is to create the grip,pommel and half of the cross guard from brass and the remainder of the cross guard from aluminium. I had originally intended on making the entire handle of the sword from aluminium due to cost and weight and had intended to anodize for a golden color. But I have since decided to use brass for the coloration.


I aquired scraps of aluminium and brass from the University to do embossing and texturing experiments. Note the center piece of aluminium has first been textured and then embossed. The embossing process removes the textured surface. 


Experiment with steel metal strip to add lines to a piece of aluminium using a mallet

Experiment on aluminium using wire and a mallet to texture the surface

Anodising aluminium

"Anodizing increases corrosion resistance and wear resistance, and provides better adhesion for paint primers and glues than does bare metal. Anodic films can also be used for a number of cosmetic effects, either with thick porous coatings that can absorb dyes or with thin transparent coatings that add interference effects to reflected light."
Anodizing - Wikipedia

In short the process goes a little something like this:

1) Clean it
2) Put it in an acidic electrolyte.
3) Run a DC voltage through it.
4) Dye/paint it.
5) Seal it

 cleaning it in a solvent bath. I rubbed it with methylated spirits
acidic electrolyte: this should be battery acid, tho you can get away with lemon juice 
the DC voltage should be at least 20V and the cathodes should be lead
the aluminium piece you are anodizing needs to be submerged in the electrified acid for approx 45mins
to seal the dye/paint boil in water for 30mins approx

for more detailed tutorials on anodizing visit the following sites

http://www.instructables.com/id/Anodizing-Metal-at-Home-The-LJS-method/
http://www.wikihow.com/Anodize-Aluminum
http://astro.neutral.org/anodise5.shtml

Thursday, 3 September 2015

JC week 4: Artwork proposal

NB: journal entry for the Jewellery and Small object module at South bank Griffith university (QCA) to view the full journal click here

NB: this is a proposal for the final Jewellery and Small object module at South bank Griffith university ( QCA ). It is intended to refine ideas and reasearch outlined in the draft proposal (http://artworkprocess.blogspot.com.au/2015/08/week-4-artwork-outlineproposal-draft.html ) and lead to the creation of a maquette. As part of my process this proposal will be refined again after the creation of the maquette. 



Belief
Sculptural object: sword , mixed metal hilt, scriptures

Objects are a record of a point in time. They reflect our beliefs, rituals and traditions and the power that these have within our lives.



What is the artwork about : Beliefs
encounter : the role beliefs play in life for a christian
revelation/experience: the development and usage of my beliefs
Scriptual connection/importance ;
"For the word of God is living and powerful, and sharper than any two-edged sword, piercing even to the division of soul and spirit, and of joints and marrow, and is a discerner of the thoughts and intents of the heart" (Hebrews 4:12).

Another thing to remember is a two-edged sword is considered to be a dangerous weapon because of the two edges. Handled improperly it can cut the wielder just as easily as it can cut someone else. When the Bible is used as a weapon to point out the flaws in another person, the person using it often finds himself convicted by the same word. "You, therefore, who teach another, do you not teach yourself? You who preach that a man should not steal, do you steal? You who say, "Do not commit adultery," do you commit adultery? You who abhor idols, do you rob temples?" (Romans 2:21-22).

Aim
introductory paragraph (Rationale-write last)
This should summarize the content of the proposal(what, why , how); your themes(s), ideas and concepts; the intended scale and scope of the project including your studio areas and intended media

Objects are a record of a point in time. They reflect our beliefs, rituals and traditions. The intention is to create an object that is a statement about my identity, beliefs, rituals and traditions as a pentecostal christian with strong ties to my european(british) heritage.

How are you doing it ?

As a form of identity expression I intend to create a european cross hilt sword for this artwork, with a man made hilt, designed to be welded with both hands ( two hander swords are designed for offence and defence with a double edged blade). The form of the handle makes reference to my identification with my european heritage and is decorated with actions of my faith and beliefs (silhouettes). The blade itself will be constructed from key scriptures which form the foundation of my beliefs. The paper blade aludes to the spiritual and non-literal purpose of the sword.
It is real, tangible, and powerful weapon

Metal hilt sword, paper blade
metal hilt : talks about the physicallity, that it is something that can be wielded, the hilt is decorated with actions (silhouettes) of faith and belief
paper blade : talks about the spiritual connection, non litteral, its not a weapon for physical battle but one for spiritual battles . The blade is made out of scriptures relating to core beliefs which have importants to me
aethetics: european two handed sword, decorative, pressed metal design, brass (for golden appearance ) or aluminum for silver appearance

techniques: saw cutting, soldering, press cut, annealing and texture embosing ( for the imagery)

How is it displayed ? Is it interactive ?
This sword can be hung on a wall , free stand mounted or lay flat on a table.

Rationale, methodology and identification
What the project is about(your personal vision)
Define the overall theme and identify your subject(s)
Describe the overarching concept, ideas, themes and subject you intend to explore
identify what marterials and processes you will adopt
Why – Explain your ideas and concepts
Where the ideas are derived from, I.e previous work as a stepping off point for further investigation; research of artists work etc.
The direction of your work or concept outcomes you hope to achieve
How it relates to current practice and the wider cultural context

What do you want to explore/explain to the viewer ?
This artwork is about the nature of spiritual and moral beliefs and their function in my everyday life. It is important to note that every christians "sword" is unique to them, its handle is designed to be welded by them and its blade is forged by the scriptures that they hold dear.


How have you experienced it ?
The power of words, in conveying your beliefs to others, shapes the way they see your identity.
For me, being an artist that makes work about the relationship between beliefs, contemporary society and the human condition, my beliefs and heritage have informed the form that my practice and art takes.
You are what you think, say and do. You will be known by your words and your actions.


Why are you making it ? Where the ideas are derived from, I.e previous work as a stepping off point for further investigation; research of artists work etc. The direction of your work or concept outcomes you hope to achieve
How it relates to current practice and the wider cultural context
It is easy to take for granted the effect your words and beliefs have on others and yourself
for me the scriptures/my beliefs act as protection ( for when a temptation crosses my path) and provide a solid grounding when faced with morally. Either in myself or in others, when you identify something in someone else (character flaw) it is either one that you have or have possessed.

Symbolism of the sword
swords have been used throughout history to defend people and land, to build nations and to protect kingdomsfrom tyrany, from first century wars against rome to the viking and norman conquest sword and steel have changed the fate of kingdoms, the map of europe and ultimately the timeline of western history.
Their essential role of preserving freedom and honor goes far back into the dim mists of history. The connection between sword and freedom finds its origins in the customs of germanic and celtic tribes, here being armed with a sword is not only a right but also a duty of all free men. The ceremony for giving freedom to a slave required that the former slave be presented with the armourment of a free man. The sword today is as relevant as a symbol as it was in ages past, being found within statues, civic emblems and insignia, ancient and modern.
It is an ancient symbol for words spoken in truth, for purity, justice and the spirit of god. The iconic power of the sword is everywhere within western culture, from literature and popular entertainement and celebrate in modern cinema.

Pommel: acts as a balance for the weapon, for me my balance is my faith in things happening when they are suppose to happen, you just need to wait ( all things happen in gods timing not yours)

Grip: your physical connection to the sword. The intention is to place imagery which reflects the outworking of my key beliefs ie family, friendship, marriage, inner child, carrying burdens, guidance, using your gifts, prayer, helping others etc. This will  be explored through silhouettes.

Cross Guard: This is the shield, protection of the physical connection. This for me  is my reliance on god/holyspirit for strength and prayer.

Blade: The blade is the word of god/scriptures. The blade will be constructed from key scriptures that discuss my own key beliefs that I use and relate to on a daily basis. Keeping in mind that westerners read left to right my intention is to have the writing start at the cross guard and read towards the tip of the blade.  

Wednesday, 2 September 2015

JC week 5: image selection for bronze embosing

NB : The following images are for  Jewellery and Small object module at South bank Griffith university ( QCA ) final project.

This image is for the cross guard, to support the concept of "through prayer and reliance of the holy spirit" i have protection
Image Source: http://faithcomchurch.org/prayer-requests/

The following 6 images will be used for embosing the bronze for the handle. They represent the daily key outworkings of my faith, beliefs and rituals.

ABOVE  Key concept/rational : father hood, guidance, mentorship
Image Source: http://www.autismspot.com/blog/Revisiting-Masculinity-father’s-journey-autism-Robert-Naseef-PhD 2015

ABOVE  Key concept/rational : keeping your inner child alive and healthy
Image source: http://imgbuddy.com/silhouette-girl-with-balloon.asp

ABOVE  Key concept/rational : spiritual maturity, carrying yours and other burdens
Image source: http://www.fansshare.com/gallery/photos/11286925/old-man-with-burden-silhouette-man-standing/?displaying

ABOVE  Key concept/rational : use your giftings, for me its the arts
Image Source: http://www.woodworkersworkshop.com/resources/index.php?search=PAINTER%20EASEL

ABOVE  Key concept/rational : always be willing to help other, teachings and leadings purpose is to lift others up 
Image Source: https://www.pinterest.com/alexthebuddy/facts/

ABOVE  Key concept/rational :to be there for my wife, to love and adore her
Image Source: https://www.etsy.com/listing/44833203/custom-silhouette-portrait-digital




The following images were for research and have been disregarded


ABOVE  Key concept/rational :
 Surrender, reliance on gods strength
ABOVE  Key concept/rational :Fatherhood
ABOVE  Key concept/rational :Prayer
ABOVE  Key concept/rational : Intimate Relationships
ABOVE  Key concept/rational :Friendship



ABOVE  Key concept/rational : Enduring hardship

ABOVE  Key concept/rational :Sense of community



ABOVE  Key concept/rational :Religious life

ABOVE  Key concept/rational :Fatherhood

ABOVE  Key concept/rational : Outworking of faith
ABOVE  Key concept/rational :Praying for others


ABOVE  Key concept/rational : connection, greeting


JC Week 5: Maquette, further design refinement and technique resolution

NB: journal entry for the Jewellery and Small object module at South bank Griffith university (QCA) to view the full journal click here



"A maquette (French word for scale model, sometimes referred to by the Italian names plastico or modello) is a small scale model or rough draft of an unfinished sculpture. An equivalent term is bozzetto, from the Italian word that means "sketch"."  https://en.wikipedia.org/wiki/Maquette, 2015

The maquette was made out of snowden paper ( thicker paper which would be a suitable analogue for thin metals ) to aid in design. The maquette is 1:1 scale:
Length: 119cm
Handle length: 21cm
Handle width: 5.5cm diameter
Handle segments(x3) :  7cm
Pommel : 6cm diameter
Crossguard width: 29cm   

The sword in the image is a Rawlings Nylon Waster, used for training and is an analogue for the Feder sword

Initial measurements were taken from the sword

Design considerations:
The sword will have an armeture running the entire length, for added strength and to allow for experiementation in display ie hanging, laying or freestanding ( with the tip of the blade downward ).
The sword, just as the real thing, can be dismantled. This is achieved by using a threaded armeture.

Maquette construction process

Blade
Handle
Crossguard
Pommel

Materials:

one A1 sheet of snowden paper
one 120cm length of dowel
sissors
utility knife
clear sticky tape
1m ruler
30cm ruler
cutting board



Step 1: Trace around blade onto the paper,making sure that both sides of the blade are included in one piece and allowance for the tapering of the blade ( keeping in mind a blade is not flat and for this project will have an armeture running the length of the blade )
Step 2: Cut the blade shape out of the paper
Step 3: Score the paper where bends will be occuring and bend into shape



Step 4: Trace the cross guard and follow the images below
The drawings based on the sword acted as a template to refine the design over

Only one half of the Crossguard design needed to be drawn, afterwards I transefered the image and  mirrored it to complete both sides. as seen below

Once the crossguard design is completed transfer onto the thick paper using carbon paper and a stylus ( this is a maquette so im not worried about residual linework, it would be better to use a sheet of paper that is convered in charcoal which can be easily erased afterwards. Tho using the carbon paper technique also works on metal surfaces)

Note that the crossguard for my design has three sections, a front and back section (2 top forms) that form the front and back of the cross guard and a separate image for the wings. The intention is to create the front and back of the cross guard out of brass for a golden appearnace and the wings from aluminium for a silvery appearance.
 Step 5: Cut out the cross guard and attach the front and back to the wings, this can be then thread onto the armature

Step 6: The handle is made out of three strips,  10cm x 7cm and are joined togehter with 10cm x 1cm strips. These measurements are made so that when creating the real thing, the metal can be run through the embossing rollers. ( see separate entry for the selection of these images)
Step 7: These strips are rolled into oval shapes, and joined together.
Both the blade and the handle fit inside the cross guard, for the final project a bolt with thread will be located inside the cross guard , the handle will slide into the opening at either end of the cross guard. 
 Step 8: the pommel, for the maquette the pommel is depicted as an empty hole, this is to allow for a clock work device to be fitted ( which has since been sourced ).




JC Week 5: design refinement

NB: journal entry for the Jewellery and Small object module at South bank Griffith university (QCA) to view the full journal click here

NB: Jewellery and Small object module at South bank Griffith university ( QCA ), this entry contains digital and drawn sketches of the final project, see the marquette entry for further exploration.


Rationale of each section of sword:
Pommel: acts as a balance for the weapon, for me my balance is my faith in things happening when they are suppose to happen, you just need to wait ( all things happen in gods timing not yours) also belief in creationist universe, fate, purpose and destiny.

Grip: your physical connection to the sword. The intention is to place imagery which reflects the outworking of my key beliefs ie family, friendship, marriage, inner child, carrying burdens, guidance, using your gifts, prayer, helping others etc. This will  be explored through silhouettes.

Cross Guard: This is the shield, protection of the physical connection. This for me  is my reliance on god/holyspirit for strength and prayer. 

Blade: The blade is the word of god/scriptures. The blade will be constructed from key scriptures that discuss my own key beliefs that I use and relate to on a daily basis. Keeping in mind that westerners read left to right my intention is to have the writing start at the cross guard and read towards the tip of the blade.


The following 2 digital images were initial sketches for the design of the sword, note the cross guard and pommel have not been resolved. The "golden" color is to represent brass as the materials.
Digital concept image
Digital concept image closeup: NB the clock was an exploration into the eccesiastical belief that all things have their own season. After further consideration this concept is best explored in the pommel ( the balance of the weapon and beliefs ).




The following three images were an exploration into making the paper blade becoming rigid when gripped. The concept being that the sword/ scriptures need to be used and held tightly for them to have any real usage. The psudo sexual connotations to a sword becoming rigid when gripped led me to disreguard this idea apon completion of the drawings.



Detail of the mechanism required in the handle to make the blade rigid. The idea was to place pressure on an armeture wire which ran the length of the blade, which would pull a series of 'beads' together.




The following is exploration into resolving the cross guard and construction/display of the grip. This design was then carried into the marquette design



Sunday, 23 August 2015

JC week 4: artwork outline/proposal draft for final artwork proposal

NB: journal entry for the Jewellery and Small object module at South bank Griffith university (QCA) to view the full journal click here

NB: this is a draft proposal for the final Jewellery and Small object module at South bank Griffith university ( QCA ), the purpose is to establish ideas for future refinement. Due to illness I was unable to attend the JC class of week 4. This proposal was intended to be presented verbally then refined for week 5.

Project outline



For this project consider the following:
Objects are a record of a point in time.
They reflect our:
  • Environment
  • Society
  • Relationships
  • Beliefs
  • Rituals and traditions
  • Politics
  • War and conflict
  • Careful planning or spontaneity or a combination of both
  • A need or use
An approach to the Project:
When thinking about creating an object or item of jewellery to express your ideas, think about how it could be, for example:
A statement about you
A statement about your place in the world
A statement about your response to environmental or political concerns.


This project can be a way of making sense of the choices we make about the objects that surround us and are integral to our lives, and how contact with, or experience of objects, embodies experiences and relationships.
Some contemporary issues to consider are:
Cradle to cradle-working within closed ecosystems
Sustainable practice as opposed to using non-renewable resources
Recycling
Up-cycling- the idea that there are no objects of the past, simply things that have been used and altered from the time of making to their present state.


Project expectations for the Semester:
You will need to undertake the following:
Research the work of contemporary artists in this field;
Consider what is of interest to you or is important to you;
Analyse objects around you in your immediate environment ;
Consider the significance of your material choices;
Consider the significance of your chosen imagery;
Think about how the work relates to you, here, now.
Reflect on what you have discovered in your research and distil your thoughts into the making and completion of a single object or series of works in the form of a small object or jewellery;

Document all your research and conceptual development in your journal. 






Concept

Title/theme

Belief
Sculptural object: sword , mixed metal hilt, scriptures


Forged and refined over a lifetime, this weapon is unique providing defence and ability to peirce the strongest armour.


What is the project about ?
Objects are a record of a point in time. They reflect our beliefs, rituals and traditions. This object is a statement about my identity, beliefs, rituals and traditions as a pentecostal christian with strong ties to my european(british) heritage.
What do you want to explore/explain to the viewer ?
This artwork is about the nature of spiritual and moral beliefs and their function in everyday life. It is important to note that every christians "sword" is unique to them, its handle is designed to be welded by them and its blade is forged by the scriptures that they hold dear.




How have you experienced it ?
The power of words, in conveying your beliefs to others, shapes the way they see your identity.
For me, being an artist that makes work about the relationship between beliefs, contemporary society and the human condition, my beliefs and heritage have informed the form that my practice and art takes.
You are what you think, say and do. You will be known by your words and your actions.




Why are you making it ? Where the ideas are derived from, I.e previous work as a stepping off point for further investigation; research of artists work etc. The direction of your work or concept outcomes you hope to achieve
How it relates to current practice and the wider cultural context
It is easy to take for granted the effect your words and beliefs have on others and yourself
for me the scriptures/my beliefs act as protection ( for when a temptation crosses my path) and provide a solid grounding when faced with morally. Either in myself or in others, when you identify something in someone else (character flaw) it is either one that you have or have possessed.
As a statement of cultural identity this art object does not speak much about "australian suburban beach culture" that surrounds the kingscliff and tweedcoast/goldcoast area. So what does it say about the place christians and the traditional values and beliefs that they adhere to. It is a reflection of the displacement and sense of disorientation in the contemporary world felt by many christians and at the same time a personal expression of those beliefs.
The meaning of life , the origin of life and the cause, nature and purpose of the universe , human nature ,ethics , devotional and ritual obervance and the moral code governing the conduct of human affairs. These are universal aspects of the human condition and the foundations of religion.
We live in an age of independence , an age where “meaning and truth is created”1 by the individual , morality is relative , perversions celebrated and personal choice rules .
We live in an age where Religion is seen an oppressive bureaucracy and No religion has the right to pronounce itself right or true. Religion is broadly seen today to be a cause of intolerance and war , faith-based political fanatiscism , backward-thinking attitudes to women or sexuality and having moral contradiction to the ways people want to live their lives.
So why does religion have a place in our society ?

1Richard Rorty


As a form of identity expression I intend to create a european cross hilt sword for this artwork, with a man made hilt, designed to be welded with both hands ( two hander swords are designed for offence and defence with a double edged blade). The form of the handle makes reference to my identification with my european heritage and is decorated with actions of my faith and beliefs (silhouettes). The blade itself will be constructed from key scriptures which form the foundation of my beliefs. The paper blade aludes to the spiritual and non-literal purpose of the sword.
It is real, tangible, and powerful weapon





its important to note that the sword for me carries significance not only as a symbol but also in the role I play in keeping the heritage of the longsword techniques alive through my participation in HEMA ( historic european martial arts )





How are you making it ?

Metal hilt sword, paper blade
metal hilt : talks about the physicallity, that it is something that can be wielded, the hilt is decorated with actions (silhouettes) of faith and belief
paper blade : talks about the spiritual connection, non litteral, its not a weapon for physical battle but one for spiritual battles . The blade is made out of scriptures relating to core beliefs which have importants to me
aethetics: european two handed sword, decorative, pressed metal design, brass (for golden appearance ) or aluminum for silver appearance

techniques: saw cutting, soldering, press cut, annealing and texture embosing ( for the imagery)

How is it displayed ? Is it interactive ?

This sword can be hung on a wall , free stand mounted or lay flat on a table.







Go to scripture, what does it say about it ?
"For the word of God is living and powerful, and sharper than any two-edged sword, piercing even to the division of soul and spirit, and of joints and marrow, and is a discerner of the thoughts and intents of the heart" (Hebrews 4:12).


Another thing to remember is a two-edged sword is considered to be a dangerous weapon because of the two edges. Handled improperly it can cut the wielder just as easily as it can cut someone else. When the Bible is used as a weapon to point out the flaws in another person, the person using it often finds himself convicted by the same word. "You, therefore, who teach another, do you not teach yourself? You who preach that a man should not steal, do you steal? You who say, "Do not commit adultery," do you commit adultery? You who abhor idols, do you rob temples?" (Romans 2:21-22).




RESEARCH
http://lavistachurchofchrist.org/LVanswers/2008/10-22c.html




http://www.thearma.org/essays/2HGS.html#.VcrdDrTvbQk
http://www.sword-buyers-guide.com/sword-terminology.html


swords have been used throughout history to defend people and land, to build nations and to protect kingdomsfrom tyrany, from first century wars against rome to the viking and norman conquest sword and steel have changed the fate of kingdoms, the map of europe and ultimately the timeline of western history.
Their essential role of preserving freedom and honor goes far back into the dim mists of history. The connection between sword and freedom finds its origins in the customs of germanic and celtic tribes, here being armed with a sword is not only a right but also a duty of all free men. The ceremony for giving freedom to a slave required that the former slave be presented with the armourment of a free man. The sword today is as relevant as a symbol as it was in ages past, being found within statues, civic emblems and insignia, ancient and modern.
It is an ancient symbol for words spoken in truth, for purity, justice and the spirit of god. The iconic power of the sword is everywhere within western culture, from literature and popular entertainement and celebrate in modern cinema.




research of other artists: research

Looking at artists that explore transendentalism, such as Bill Viola, Alex Grey and Mark Rothko.
The reason for researching artists such as these is that my interests in creating works of art is in the spiritual "otherness". The spiritual aura and meaning that art can convey. Appon recommendation by the lecturer I have also researched the brisbane artist Dough Kwok



Alex Grey   Source:http://artboom.info/painting/alex-grey-the-art-of-a-visionary.html

Mark Rothko's chapel   Source:http://forums.ssrc.org/ndsp/2014/08/04/rothko-chapel/

Bill Violas Tristan's Assention video still Source: http://hyperallergic.com/114411/bill-violas-moving-void/     
Dough Kwok 4 card players  Source:http://www.dougkwokart.com/portfolio.php

Image research



http://www.aceros-de-hispania.com/battle-ready-sword/202renaissance-twohand-sword.asp?product=time-seller-jk0202 

http://www.fcsurplus.ca/shopping/products/447-Swords-Daggers-Shields-Machettes/467014-Decorative-Medieval-Style-Bastard-Sword/

http://www.2-clicks-swords.com/article/ornamental-swords.html this link covers types of swords

http://www.kaswords.com/knights-templar-medieval-replica-longsword-gold.aspx 

http://www.darkknightarmoury.com/p-9827-gold-templar-longsword.aspx

http://www.arms-n-armor.com/sword187.html

http://swordsite.tumblr.com/post/99126408540/longsword-hema-wma-german-two-hander-oakeshott